Posts Tagged ‘photography basics’

Photography Basics: How to Understand Film Speeds

Wednesday, February 17th, 2010

Cameras have lots of little knobs, dials and meters. If you stare at your camera long enough, you’ll be amazed at how many ways you can adjust your camera and change how your pictures look. But did you know that one of the most important decisions you can make when taking pictures happens before you even load your film?

The speed of the film you use is one of the very few unalterable qualities of a photograph. There are plenty of ways to toy with aperture, exposure, and focus. However, once film is in a camera, there is absolutely no way to change the way that film reacts to light. In every photograph you ever shoot with real film, you are adapting to the film speed. Film does not speed up or slow down to suit your needs, so it is important that you make the right call the next time you head out for a fresh roll.

What is ISO?
The film speed measures how sensitive the film is to light. Low film speeds indicate that the film is less sensitive, and will require a longer exposure; high speeds are very sensitive and require shorter exposures. The film speed is referred to as ISO (International Standards Organization). Any film you buy will have its ISO marked on the box, and common speeds are 400, 800, and 1000, with 400 being the closest to the “standard.”

The ISO of your film affects every aspect of the way your camera works. Your light sensor (if you have one) has to be set correctly for the film you’re using, your aperture will be more or less limited depending, and your shutter speed will likely have to decrease or increase to accommodate the film. Even digital cameras have a simulated (and adjustable) film speed that they base their calculations on.

Choosing the Right Speed
The ISO of the film determines what you’re able to photograph and how. Because high-speed film (ISO 800 or above is a good general rule) requires less time to expose, you can shoot images with much higher shutter speeds than with a slower film. The result will be a photo with crystal clear action; fast film is great for taking sports or anything with movement. When you see a picture of a basketball player suspended in mid air, you know that the image was probably taken with high speed film. With a slower ISO, the player in the picture would likely be a big blur. Faster film also requires less light and can be very useful in an indoor situation where a flash is not appropriate.

Lower speed film captures much more detail because it has more time to absorb light. It is important to keep the words “detail” and “blurry” separate here – more “detail” in a photograph can be thought of in a similar way to more “detail” on a high definition television – more of what was originally there will be visible in the photograph. The more time the film can “see” a scene, the more accurately the scene will be represented. Lower speed films are great for portrait photography or images in which you wish to show great depth of field.

Film Speed Experiments
To get a good handle on how ISO works and what it does to your images, here are a couple of things to try out the next time you’re planning a shooting day:

  • Get rid of your flash (if you have one) and take some fast film into a low light environment
  • Swing by a local high school, college, or little league game and try shooting (with permission) two rolls of film – one very slow (ISO 100) and one very fast (ISO 1000) – then have a look at how different the images turned out

Film speed is one of those great things to play with when you’re pretty comfortable with your camera and you’re looking for new ways to challenge your perceptions. Each speed has its strengths and weaknesses so it’s up to you to decide which one works best for you. Now it’s time to take some pictures that you’ll be proud to put in picture frames on the wall on the wall on your wall And don’t forget that pictures make great gifts especially when given in pictures frames that complement the existing decor like natural wood picture frames and classic silver picture frames.

Photography Basics: The F-Stop and How to Use It

Tuesday, February 16th, 2010

Shooting with a camera and adjusting the settings manually can be an intimidating task to the new photographer. Veterans of the craft will no doubt remember the first roll of film they ruined by reading the light wrong, or the irreplaceable moments in time lost behind a lens cap. As a photographer, our job is to be the conductor of a symphony of moving components, gently influencing each element to ensure that the end result is more than just the sum of the parts.

Without understanding the elements of photography individually, it is impossible to understand how they relate to the whole. So let’s start our trip into the inner workings of photography with one of the most unfamiliar topics: aperture.

Defining Aperture
Aperture is simply what controls the amount of light exposed on the film or your digital camera’s sensor. It can be opened and closed using the F-Stop on your camera, which is usually a ring located around the lens in between the focus ring and the body of the camera. If you’ve ever looked into someone’s eye as light was shone into it and watched the pupil get smaller, this is how the aperture works too.

Most cameras have an f stop range of 1.7/2.0 to 22 with the range of values usually increasing with the quality and cost of the camera. You can see your camera’s range by looking at the numbers around your lens. Lower F-Stops are more open and expose the film to more light, while high F-Stops close the aperture and shut the light out.

How Aperture Can Impact Images
Using your F-Stop to purposefully manipulate the aperture of your camera will allow you to change the depth of field shown in your photographs. If you’re unfamiliar with the term “depth of field,” it describes how much of your photograph is blurry, and how much is sharp. Aperture directly affects the amount of time a frame is exposed; the more time the film has to absorb information, the more clarity and depth will come through in the final product.

For instance, if you were to take a photograph of a line of vintage picture frames on a table from one end using a low F-Stop number (an open aperture), you would probably see one or two frames clearly and the background ones as blurry. Open apertures create a shallow depth of field. If you were to then take the same photograph with a high F-Stop (a closed aperture), you would see many more antique picture frames clearly down the line and get a much greater sense of how far away they might be.

Fun Experiments with Aperture
Playing with the aperture on your camera can be great fun once you have a bearing on what it does.  Here’s a couple of ideas to try the next time you’re out shooting and you want to test it out:

  • Take every photograph twice – once at a high F-Stop, and once at a low F-Stop.
  • Challenge yourself to shoot an entire roll at one F-Stop, then switch it up.
  • Put your camera on full manual and adjust the F-Stop on the fly to adjust for light

Don’t forget to adjust the shutter speed of your camera to allow for more or less light (faster speeds for more light, slower speeds for less), or you may end up with overexposed or underexposed images. Many digital cameras have a fantastic option called “aperture priority mode” which lets you choose an F Stop and will then adjust the shutter speed automatically. It’s worth noting that the best types of lighting for experimenting with aperture are cloudy or overcast days. When faced with low or bright light, your options for F Stop values will become limited.

Of course, the very best way to improve your photography is to take lots of pictures. So, get out there and find those photographs that you’ll be proud to hang on your picture frame wall!