Posts Tagged ‘photography basics’

Photography 101: How to Understand Aperture

Sunday, April 4th, 2010

Aperture and other photo basics can induce yawns in the most eager of new shutterbugs, but once these basics are understood, the rest of photography comes easily into focus. Aperture, ISO and shutter speed are all important terms to know, whether you have a point-and-shoot or a professional camera. This article explains the basics of aperture and provides tips on how to use it to take better pictures that you’ll be proud to display on your wall in a hanging picture frame.

To best understand aperture, consider how the irises of your eyes widen and narrow to allow more or less light into the pupil. Like your irises, the camera’s lens diaphragm widens and narrows to let in more or less light. Thus the aperture determines the exposure of the picture, that is how bright or dark it is. The aperture also has another important function which we’ll look at shortly.

“Aperture” refers to the size of this opening and is measured in F stops. The smaller the F stop, the wider the aperture. This is why it can be confusing. Actually the F stop numbers represent ratios, which is why the larger the F stop number, the smaller the aperture.

In addition to controlling light, aperture also controls depth of field. To better understand this, make a fist and hold it in front of your eye. Now gradually open your hand. See how the focus changes as you open your hand? Sure you can see more through the larger opening, but notice how when the opening in your fist was small, everything that you could see was equally in focus? Try it again, and notice how when you open your fist, the object closest to you will come into sharp focus while objects farther away will be out of focus. This is how aperture determines depth of field, that is how much of a photograph is focused.

If you are taking pictures in Auto Focus (AF), the camera will attempt to focus on what it sees as the main subject, but often it may not be what you want.

For this reason, many cameras have an Aperture Priority setting to help eliminate this problem. This allows you to set the aperture and then it automatically adjusts the shutter speed to compensate for the larger or smaller aperture. For example, if you set the aperture for a landscape, it narrows it and therefore lets in less light. The camera would automatically lengthen the time the shutter stays open so that your photo isn’t underexposed (too dark). Aperture Priority isn’t perfect, but generally this how it works.

Now if you have an SLR and are taking pictures in manual mode, you can adjust the shutter speeds and aperture separately.

Most will have a camera with preset modes such as landscape, sports or portrait. When the mode is set for landscape, the aperture automatically narrows so everything will be brought into focus. At the same time, the shutter speed automatically slows down, leaving the shutter open longer to offset the smaller amount of light coming through the lens diaphragm.

When you switch to portrait mode and focus on someone in front of you with the landscape in the background, the camera will make your subject in focus and make them stand out from the background. And it will speed up the shutter speed so the picture isn’t overexposed by the additional light allowed in with the larger aperture.

Remember: the smaller the aperture, the greater the F stop number (because it represents a ratio not a whole number) and the greater the depth of field.

Understanding photo basics like aperture is super important for using manual settings or aperture priority but also helps those using preset modes as well. Here are three preset modes you should better understand:

  • Portrait: How much the background blurs when using this mode depends on your camera and the distance between your subject and background – a minimum of 10 feet works best. This mode can be used for any subject you want to bring into focus while taking the background out of focus.
  • Landscape (also called “infinity” on some cameras) is the mode represented by a mountain peak or a figure 8. You can use this for anything where you want everything in the picture to be in focus, such as seascapes, cityscapes or your garden. And for shots of breathtaking vistas, try framing them in a panoramic picture frame to make your images really stand out.
  • Macro: This mode, often depicted by a tulip opens the camera’s aperture extra wide so you can take super close ups. Depending upon your camera, you should be able to get anywhere between an inch to a foot of your subject. When preparing to take photos outdoors of items like flowers, remember that even the smallest petal movement can cause the image to be blurry because of the slower shutter speed. Also remember to focus on the part of the subject that you want most in focus, whether it be a butterfly’s wing or a caterpillar’s eyes.

Just applying this knowledge can help you produce some beautiful photographs that you’ll be proud to display in a gallery picture frame on the wall.

8 Benefits of Why You Should Learn Photography

Tuesday, March 9th, 2010

So you’re interested in starting to learn photography –  congratulations! Photography is a wonderful practical hobby as well as an exciting career opportunity. Learning photography takes a little bit of patience but in the end it’s all worth it. Let’s start with the reasons why you should learn photography:

  • The chance to capture special events like a special birthday or the family vacation with clear, well composed pictures.
  • Never missing another “Kodak moment” while searching for the right dial or button.
  • Taking beautiful photographs that you and your loved ones proudly frame and display.
  • Communicating through your photographs. A picture really is worth a thousand words (especially if you put it in a beautiful jeweled picture frame)! You can capture an expression that says it all. Or as we’ve seen in magazines like Time and National Geographic, you can shoot photographs that convey messages powerful enough to open a mind or convey just about anything you want to communicate. You don’t have to be a professional photojournalist to get out there and take some great shots.
  • The ability to take a portrait photograph in a home or outdoor setting that captures the unique personality and beauty of a loved one – the type of portrait that uplifts the person and makes them want to see the portrait framed on the wall, not hidden at the bottom of a box.
  • Excitement! With a good telephoto lens you can, from a safe distance, capture exciting shots of wildlife and weather phenomena. Picture your friends reactions when they see your photographs beautifully framed on your wall.
  • Fun! It’s fun to take photographs of people, places and things we love. It’s even more fun to take pictures after learning just a few skills!
  • Fame and Fortune! Many a hobbyist photographer has gone on to win ribbons, awards and make money by selling their prints online with or without frames. Others photographers sell downloads at photo sites like iStock. Some take pet pictures of their friends pets and get their business started from there. Others become wedding photographers or get jobs working as photographers.

You may have some goals in mind that weren’t listed here. As mentioned the rewards of taking pictures are numerous. To get started taking pictures, all you need is a good (not expensive) camera and a few basic skills and you’ll be well on your way.

Five Photography Portrait Tips

Wednesday, February 24th, 2010

There are some very good reasons to learn how to take family portraits, and you don’t have to be embarking on a photography career to do so. Having portraits professionally done can be just too expensive for many families. And sometimes, it can be impossible to get everyone to the studio at the appointed time.

Every family deserves to have at least one nice portrait together displayed in a picture frame. And, as a family grows and ages, it’s nice to have additional portraits done too. If you want to learn how to take portraits, learn by taking a portrait of your family or someone you know who would love to have a family portrait! If you are taking a portrait of your own family, make sure to be in it too! So be sure to use a camera with a remote shutter button release and a timer.

If you are new to photography learning how to take family portraits will also give you the opportunity to learn and practice other skills, such as taking that group picture at Thanksgiving or a team picture after the game.

Without further ado, here are some tips to help you get started taking memorable family portraits, whether formal or informal.

1) Avoid the “Police Line Up” Portrait – Instead of having them all line up shoulder to shoulder, try something more natural looking and that also makes it easier to get a big family into the picture.

Staggering is one technique that works well for group photos. For example, you might stagger the family members on the front steps of a porch or on and around boulders near a pond, with some family members standing and others sitting. If in a park, two siblings might sit on a low hanging branch of a tree or all could sit on the lawn clustered together. Show family togetherness by spacing relatively close together. And by staggering the group, it will make it easier to display the picture in a 8×10 picture frame or even something larger like a 11×14 picture frame.

2) Show Relationships – You can do this by the way in which you have people pose in the portrait. For example, Grandma and Grandpa might stand next to each, a toddler could be in Mother’s arms, two siblings might have arms slung over each others shoulders, etc.

3) Consider Including the Family Pets – assuming they hold still long enough. Even if the pet is sitting still, you may want to raise the Shutter Speed Priority to 1/125 because the flick of a tail or other tiny movement can cause blur. It is always easier to take an individual portrait of a someone with their pet (or even a pet separately), but if the family has a mellow dog or cat, try to take some poses with and without the family pet.

4) Get Creative with Props – depending on the type of portrait you want. Does the family do any activities or sports like community baseball? Each family member could hold a mitt, ball or bat. This is a trend with individual portraiture that can be fun for families too.

5) Get Everyone Smiling – Instead of just saying “cheese,” put the family at ease (no rhyme intended) by talking to them: compliment, tell a story joke around, and soon they won’t be so nervous about the photographing and their smiles will become more relaxed and real. When you’ve got everyone posed and smiling, ask the family to hold them until you give them the signal that you got the shot.

Finally, make it fun and take lots of shots, so the family can choose the best. You’re sure to get some keepers where the family will feel proud to frame them for all to see.

Photography 101: A Short History of the Photograph

Wednesday, February 17th, 2010

These days cameras are everywhere. Whether it’s a tiny digital you keep in your pocket or a medium format monstrosity you use for a hobby, cameras have become an integral part of human life. With that in mind, let’s take a ride down memory lane and look at where modern photography came from and what it’s meant to our civilization.

One of the most amazing aspects about photography is how much we depend upon them to record our history and tell a story, considering the fact that photography is still relatively new. Just think of how many old family photos you have displayed in your home in antique picture frames or old handmade wood picture frames?

The first permanent photograph was created as recently as 1825 using pewter plates and a substance called “bitumen,” and later iterations of the photograph would be printed on glass; paper didn’t become common until around 1888 thanks to innovations by George Eastman (as in Eastman-Kodak).

In 1901, the Kodak Brownie camera was first introduced to the public. This was the first time that photography was so easily accessible to the public, in terms of ease of use and cost. It was during this period of time that film developing really took off as an industry. It’s incredible to think that something like getting film developed or emailing digital images, which we take for granted today, was a completely new concept just 100 years ago. The modern SLR camera has only been around for about 80 years, and even in that timeframe it hasn’t changed too much in terms of construction.

While black and white photography hasn’t changed much since the early 1900’s, color film has experienced dramatic advancements over this brief period of time. Though color photography had always been pursued by early photographers, color film and printing didn’t become widely accessible until well into the 20th century. Kodak’s “Kodachorme” was introduced around 1935, but would be a while before it would become commonplace. One interesting thing about color film advancement is looking at how black and white film is still in wide use despite the introduction of color photographs. How many people do you know that still have a black and white television? Probably none.

Of course, no discussion of photo-history would be complete without mentioning the digital revolution. This technology, which is part of our everyday lives, has only been used for about 15 years. The first “megapixel” sensor wasn’t even created until around 1986, and now it’s one of the most common technical words in our vocabularly. Though digital photography hasn’t changed much about the way we take pictures (point and shoot), it has had an immeasurable impact on our ability to share our photographs with the world.

Photography is the way in which we document our lives and display them in picture frames in our homes and offices for all to see. A photograph can be as simple as remembering a birthday party, or as important as drawing attention to a conflict on the other side of the globe. They help add weight and emotion to the words of reporters as well as preserve our history for generations to come. Every picture we take is living proof of human achievements, relationships, strengths, and weaknesses.

Digital Photography Vs. Film Photography

Wednesday, February 17th, 2010

Ever since the introduction of the digital camera, a war has raged within the photography community. There are those that would claim 35mm film is the one true “professional” media, and digital its casual, amateur counterpart. Conversely, as costs decrease and quality increases, there is an ever-expanding group of working photographers that shoot and produce only in digital. So what is a consumer to think? Is 35 still the way to go, or is it time to trade in that old junker for a newer, flashier model? It’s time to look at each format and decide once and for all which is better.

Digital Photography: Amateur?
It is true that there are many digital cameras on the market, and like their 35mm counterparts there is an endless supply of variables that can impact the images each one is capable of producing. Image quality (in terms of depth of field and color contrast) has always been a major concern for those that choose digital and is still one of the most common excuses heard from the opposition. Add to this the fact that finding a digital camera that could match the sheer raw data contained in a photograph on film was both arduous and incredibly expensive, and the 35mm enthusiast has a fairly solid argument.

Fortunately for the consumer, the price of an high quality digital camera has dropped sharply in the last few years. Canon’s popular “Digital Rebel” line of SLRs has given people an affordable (under $1,000) entry-level camera that produces near professional results. And since Canon isn’t the only camera company in the world, it’s a safe bet consumers can look forward to even better cameras at even lower prices as manufacturers double their efforts to be first in line at the retail counter.

35mm: Is it Antiquated?
These days why use film at all? It’s certainly no secret that film has an unforgiving and often expensive learning curve, and recent trends show professionals leaning heavily on digital for precisely those reasons. After all, when taking pictures at an event like a Super Bowl, would it better to have the potential for thousands of pictures, or just the film you have with you? Sports photographers answered that question by taking over 10,000 digital images in a single Super Bowl game.

However, just as some music enthusiasts claim that everything sounds better on a record, there are still photographers who think that nothing compares to a fresh roll of film. In fact, developing film manually and printing photos in a darkroom is for some one of the most rewarding photographic experiences a photographer can have. Sure, photos can be powerfully edited using tools like Adobe Photoshop to remove almost any imperfection, but clicking a mouse is very different than the tactile sensations of a darkroom. And of course, having someone else print up a roll of film can take as little as an hour.

And the Winner Is..
Neither! Based on the availability of technology and the vast resources devoted to this topic, there’s really no single point that wins this battle. As with many debates, the winner here is going to be entirely up to the needs and desires of the individual. Families wanting to take pictures and share their memories on the fly often choose digital due to its instant gratification and convenience, while others like having photo prints to display them in a picture frame or album. No matter what you choose, in the end, people can still easily print out their pictures so they can hang them on the wall in collage picture frames or display them on a desk or dresser in a special unique picture frame.Thanks to powerful yet affordable innovations in digital and the classic, do-it-yourself familiarity of film, the choice is now directly in the hands of the consumer- right where it belongs.